In Case You Missed It
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Features
Hail Mary: Aussie Band Keeps Repping for “King Hit City Death Metal” After Tragic Passing of Their Singer
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Features
KEEP: Central Illinois Hardcore Band Celebrate Their Local DIY Scene on A Place to Call Home
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Features
No Life: Metalcore Band Keep Forward Momentum via “Foulmouth” Single
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Features
Cohezion: New Toronto Band Delivers Brutal Metallic Hardcore on Debut EP (PREMIERE)
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Features
Record Label Profile: Unbeaten Records
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Features
Wild Arrows: Mike Law (Eulcid, New Idea Society) Brings Shimmery Melodies on “Gold Ides” (PREMIERE)
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Record Collectors
Record Collector: Marcus Kock, aka xmarcuskx
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Reviews
FAIM, Hollow Hope (Safe Inside Records, 2020)
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Features
Intercourse: Hardcore/Noise Rock Band Goes Gnarly on “I Need Saturday Off So I Can Play a Teenager’s Basement”
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Lists
Best 5 Albums of 2014 from the Portland Heavy Music Scene, by Erik Olson (Lord Dying)
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Features
FireBurn: Hardcore Greats Return w/ “Shine” + “The Controller” (DOUBLE PREMIERE)
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Features
Kevlar Bikini: Croatian Trio Brings AmRep-Like Riffing on “The Wailer” (PREMIERE)
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Features
Farside: New Documentary Goes Behind the Scenes of The Monroe Doctrine Album
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Reviews
U.S. Bombs: Clash Tribute and Hollywood Gong Show EPs (Slope Records, 2017)
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Reviews
Be Well, Be Well (Equal Vision Records, 2019)
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Features
Oceans of Slumber Push Envelope on Arresting “Where Gods Fear to Speak” Video
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Interviews
Robyn Challands Is Waving the Flag for Hardcore Music on the Radio Airwaves & Stage
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Features
No Face Studios: Get the Story Behind the West Philly DIY Art & Music Space
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Interviews
Chris Daly (Ressurection, 108, Texas Is the Reason, Jets to Brazil, High Disciple)
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Features
War Orphan: Ex-Sick of It All, Reach Members Deliver Raw Hardcore on “Identity Politics”